2012-05-14T07:54:23Z radicalsilence tag:blog.so-net.ne.jp,2011:radicalsilence radicalsilence So-netブログ Copyright (c) 2012, radicalsilence 2012-05-14T07:54:23Z 2012-01-16 20:55:24+09:00 tag:blog.so-net.ne.jp,2012:radicalsilence.42079678

*image@Richard Prince from She: Images of Women by Wallace Berman & Richard Prince
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Exhibition catalogue, 2009
Hardcover, 111 pages, 106 color plates, 250×275
With essay by Kristine McKenna
Publisher's Description; The use of heterosexual pornography or soft erotica in collage and assemblage is often all too uncritical, but for a few of the California artists who came of age in the early 1950s, its applications were much more nuanced. For example, Wallace Berman's 1957 Cross' assemblage features a close-up photograph of heterosexual penetration that affirms sex as a 'factum fidei' ('true fact,' as Berman's inscription went)-its explicitness serving simply as realism. This approach to 'girlie magazine' imagery and its polar opposite-the impulse to decommodify sexuality-can both be found in the photographs, paintings and books of Richard Prince, an artist whose fondness for the era of Berman is well known. She traces these overlaps and sympathies with reproductions of previously unseen works by Berman and new images from Prince's Girlfriends and de Kooning series. Also including an interview with Prince, She is edited by Kristine McKenna, whose ongoing work on Wallace Berman and his contemporaries continues to yield exciting discoveries.
*in stock;
SPIRITUAL AMERICA: RICHARD PRINCE 1989
BELLEVUE-LANDSCAPE PHOTOGRAPHS 2000
SHE: IMAGES OF WOMEN BY WALLACE BERMAN & RICHARD PRINCE 2009
T-SHIRT PAINTINGS: RICHARD PRINCE 2011
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Number 1, July 1975
Cover by Jerry Hall@Antonio
Tabloid, 34 page, 285x370
*in stock;
#1 1975 Cover by Antonio
#2 1975 Cover by Richard L. Schaefer. Design by Sanchez & Lawrence
#3 1975 Cover by Richard Bernstein

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Hardcover, edition 3000 copies, 180x240
The second Dashwood McGinley collaboration of 2010, Life Adjustment Center, combines more b&w studio nudes, many with wild animals, and McGinley's 2010 summer road-trip. Every summer since 2005 McGinley and a handpicked team has hit the road in search of adventure, crisscrossing America often for months at a time. The images have evolved into McGinley’s signature style: Pyrotechnics, dreamlike compositions, motion and rich color – an evocative mixture of vintage pornography and Easy Rider.
*in stock;
RYAN McGINLEY BY RYAN McGINLEY 2004
LIFE ADJUSTMENT CENTER: RYAN McGINLEY 2010
MOONMILK: RYAN McGINLEY 2010 ]]> 2012-05-14T07:54:23Z 2011-08-20 17:29:24+09:00 tag:blog.so-net.ne.jp,2012:radicalsilence.42089320

Steidl February 2010
Stapled softcover, 56 pages, 31 colour plates, 175x230
In the summer of 2005 Steidl published a small booklet of Juergen Teller's work, titled 'The Master'. It offered a characteristic examination of his own world and persona as a photographer, a mixture of fashion and commissioned works, alongside self-portraits, family photographs and scenes from his Bavarian home. The title and starting point for the book were portraits of two of his heroes, the photographers William Eggleston and Nobuyoshi Araki. The book quickly went out of print and a second edition of the 'The Master' will now be printed alongside 'The Master II', marking the beginning of a series of booklets that will culminate in a slip-cased edition of all ten or more at some point in the future. 'The Master II' comprises his recent body of work 'Ukraine' in which he chose to employ the city of Kiev as the setting for a fashion shoot, mixing fashion, still-lives of the city, and portraits of ordinary people as a way of representing his own fantasy of a country marked by a brash youthful energy and an obsession with capitalism.
*in stock;
BELIEVE: WALTER VAN BEIRENDONCK & WILD AND LETHAL TRASH! 1998
THE i-D FAMILY 1998
MORE: JUERGEN TELLER / STEPHANIE SEYMOUR 2002
LIBERATION STYLE #8 2002
DO YOU KNOW WHAT I MEAN: JUERGEN TELLER 2006
THE MASTER II: JUERGEN TELLER 2010
NOT IN FASHION 2011
TOUCH ME: JUERGEN TELLER 2011


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Exhibition Catalogue, Language: English and French
Paperback, 192 pages, 254x311
Published on the occasion of the exhibition Larry Clark, Kiss the past Hello, Musee d'Art Moderne de la Ville de Paris, France (8 October 2010 - 2 January 2011).
The catalogue is a box which contains a poster and two soft cover books with texts by Fabrice Hergott, Sebastien Gokalp, Jim Lewis, Thea Weistrech, Mike Kelley and Dominique Baque.
*in stock;
KIDS: A FILM BY LARRY CLARK 1996
KISS THE PAST HELLO: LARRY CLARK 2010
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Automne 1996, 82 pages
Cover Photo by Mark Borthwick. Model Amy Wesson.
*in stock;
#4 Automne 1996
#5 Printemps 1997
ALL EVENTS ARE EVEN: MARK BORTHWICK 2002
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Flasher Factory 2004
Softcover, This 64 page book is bound in wraps, 202x255
This is the first regularly published book of McGinley’s work. While his earlier photography seemed to place him in the confessional tradition of Larry Clark and Nan Goldin, the pictures of naked youth in strange settings that began with this book broke new territory and revealed a unique voice. McGinley is the youngest artist ever to have a solo show at the Whitney, and is the recipient of the Young Photographer Infinity Award from ICP.
*in stock;
RYAN McGINLEY BY RYAN McGINLEY 2004
LIFE ADJUSTMENT CENTER: RYAN McGINLEY 2010
MOONMILK: RYAN McGINLEY 2010


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Flanders Fashion Institute, August 2001
*in stock;
NO A August 2001
NO B Bernhard Willhelm February 2002
NO C Hussein Chalayan September 2002
NO E Victor & Rolf October 2003
A magazine #1 Masion Martin Margiela 2004
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MAY 1981
Cover Photo by Laura Levine
Tabloid, 50 pages, 285x370
*in stock;
#22 September 1979 Cover@Tom Verlaine
#29 June 1980 Cover@Pretenders
#32 October 1980 Cover@Arto Lindsay+Pat Place
#35 January 1981 Cover@Johnny Thunders+Alan Vega
#36 February 1981 Cover@Ian Curtis+Exene+Glenn Mercer
#37 March 1981 Cover@Pylon
#38 April 1981 Cover@Tom Verlaine+Dic Hell+Deborah&harry
#39 May 1981 Cover@Clockwise
#40 June 1981 Cover@Prince
#41 July/August 1981 Cover@Dead Kennedys etc.
#42 September 1981 Cover@Cramps
#43 October 1981 Cover@James"Blood"Ulmer
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Purple Books December 2001
Hardcover, 96 pages, 160x220 with CD
In Kim's Bedroom, conceptualizer and guest curator Kim Gordon (SonicYouth) introduces the spectator to an extraordinary, personal world in which visual arts, photography, film/video, fashion and music have come together. The project includes an exhibition, a music performance, a film night and a publication with CD.
The artists Gordon invited are either active in more than one domain or at the crossovers of the disciplines mentioned before. The layout of the exhibition is a striking interplay of the distinctions between public and private, inside and outside, fantasy and reality. The MU space has been transformed into an interior referring to a film set. A curved wall leads the spectators via a succession of works by Jessica Wood, Jutta Koether, Kim Gordon, Rita Ackermann, Spike Jonze, Sophia Coppola, Richard Kern and Raymond Pettibon to the focal point of the exhibition. In this intimate space, the bedroom, one of the artworks is an installation by fashion designer Susan Cianciolo.
In this 'homely' environment, the audience is invited to see themselves - and obviously to be seen - in the Cianciolo designs. In the bedroom, the audience can make their own selection from video films by Tamra Davis, Sadie Benning, Cameron Jamie, Tony Oursler, Dave Markey, Lisa Rinzler, Kathleen Hanna and Kim Gordon.
With the presentation of Kim's Bedroom, MU has realized an exciting project in which recent developments in contemporary art are shown in juxtaposition. The majority of the participating artists have come up with new works for the exhibition.
During the opening of the exhibition, the publication designed by Purple in Paris will be presented. This publication contains works by most of the artists participating in Kim's Bedroom, and includes a CD. The music performance will start at 9pm on Saturday 18 March 2000 in Cultureel Centrum De Effenaar. Participating musicians are Quix-o-tic, Steve Malkmus, Jim O'Rourke, Ikue Mori, DJ Olive, Kim Gordon and Thurston Moore. On Sunday 19 March, from 8pm onwards, films and videos by Raymond Pettibon, Dave Markey, Cameron Jamie and a selection from the video recordings of the exhibition will be shown in the Rembrandt Cinema.
*in stock;
THE HOTCORN GIRLS 1995
PURPLE STARS 2000
KIM'S BEDROOM 2001
KIM GORDON CHRONICLES VOL.1 2005
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OUT 2003 MILLA JOVOVICH
All Art Works by Julien D'ys
Paperback, 24 pages, Full color, 267x342
*in stock;
#5 Linda Evangelista
#6 Milla Jovovich
#7 Madonna

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Holzwarth Publications 2002
Paperback, 256 pages, 214x321
This is a collaboration between Harmony Korine and the painter Christopher Wool that was published as a book by Holzwarth Publications in the US on July 2, 2002.
The result of a collaboration between the filmmaker Harmony Korine and the painter Christopher Wool, this series of experimental images tests the limits of the pictorial and the abstract, pushing the boundaries of visual and textual narrative to extremes. Korine's photographs form the basis of an intense process of layering, drawing, overprinting and photocopying as each image is passed back and forth between the artists until the images are reduced to ghostly shadows beneath a barrage of scumbled dot-screens, random patterning and symbolic blurs and drips. Gradually the fragmented, distorted images serially mutate, attacked by a combination of mechanical and human processes, yet despite the violence exerted upon it, a vestige of narrative always survives.
*in stock;
CHRISTOPHER WOOL by CHRISTOPHER WOOL 1998
PASS THE BITCH CHICKEN: HARMONY KORINE/CHRISTOPHER WOOL 2002 ]]> 2012-05-14T07:54:24Z 2011-08-20 17:29:13+09:00 tag:blog.so-net.ne.jp,2012:radicalsilence.42122676

AW 05/06 KATJA & KATIA BERLIN NEW YORK IT'S A ZINE
Tabloid, 88 pages, 260x360, Edition 308/500


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LEAH SINGER 1988, 1000 copies, 12 pages, 288x353
*in stock;
#1 1997
#2 1998


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Purple Books 2002
Hardcover, 190 pages, 160x220
Poetry, fashion, music, film, photography; Borthwicks’ exhibition ‘The Fourteenth Star’ in the MU in Eindhoven includes them all, as well as a video project with Chloë Sevigny, 102 pages of NY 2001 fashion shots, his ‘thrift store’ series and a text by Aaron Rose. The photos are deliberately printed on mat paper in low key black and white.
*in stock;
SELF SERVICE #4 1996
PURPLE STARS 2000
ALL EVENTS ARE EVEN 2002
SOCIAL DOCUMENTARIES AMID THIS PIST ORIGINAL VERSION+3 BOOKS 2003
SOCIAL DOCUMENTARIES AMID THIS PIST 2003
NOT IN FASHION 2011
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Rockin'on inc 1999, Art by Rita Ackermann. Story by Byron Coley
Hardcover, 100 pages, 312x312
*in stock;
REVELATIONS: RITA ACKERMANN 1999
EASTEUBURIA: YOSHIMI, RITA ACKERMANN, DVAID NUSS, ATARI SHOJI, AND YOSHIDA 1999
PURPLE STARS 2000
KIM'S BEDROOM 2001
CHAPTER 2 Nieves 2003
CHAPTER 3 2004

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(NEWSPAPER) LIBERATION VENDREDI 6 MAI 2005 DEUXIEME EDITION NO 7461
INVITE SPECIAL LONDON CALLING
Tabloid, 40 pages, 290x383

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VAM, The Valencian Institute of Modern Art 1989
Paperback, 135 pages, 197x285
*in stock;
SPIRITUAL AMERICA: RICHARD PRINCE 1989
BELLEVUE-LANDSCAPE PHOTOGRAPHS 2000
SHE: IMAGES OF WOMEN BY WALLACE BERMAN & RICHARD PRINCE 2009
T-SHIRT PAINTINGS: RICHARD PRINCE 2011


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Futropolis 1985
Hardcover, 109 pages, 300x250
JOHN WILLIE ( John Alexander Scott Coutts 1902 - 1962)
This collection of bondage and fetish photographs, all taken by John Willie in his home during the 50s, bring back to life that cultish and mysterious aura which surrounded and helped to creat the sexual tensions tied to that decade. An amateur photographer but avid voyeur, Willie's images are a small window on the past.
*in stock;
LE RETOUR DE GWENDOLINE: STANTON 1978
PLUSIEURS POSSIBILITES: LES PHOTOGRAPHIES DE JOHN WILLIE 1985
GWENDOLINE, LA PRINCESSE PERDUE: JOHN WILLIE 2011
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